EVENT COVERAGE 2026
RESULTS FROM THE 2026 MONTEREY SHOOTOUT
OVER $53,000 IN PRIZES FROM OUR AMAZING SPONSORS
The Monterey Shootout is first and foremost a community event, bringing divers together to socialize, network, and share their passion for the ocean and imaging. While competition is secondary, this year’s $53,000 in prizes inspired participants to push their creative limits and capture their best images. The Monterey Shootout would not be possible without the generosity of our sponsors, and we are extremely grateful for their support in rewarding this unique community of underwater image makers.

Aquatica 11″ Arm Set (2 arms, 3 clamps) (2x)
Aquatica 8″ Arm Set (2 arms, 3 clamps) (2x)
$1,992
COMMENTS FROM THE PHOTO JUDGES
The 2026 photo judging panel consisting of Berkley White, Chuck Davis, Becca Boring, Scott Campbell, and Sterling Zumbrunn, evaluated this year’s submissions. As in previous years, one simple question guided every decision: “Would I put this image on my wall?”
This year’s competition produced an incredibly diverse group of winning images, with no single photographer sweeping all categories and no dominant subject, like jellyfish or tuna crabs of previous years. Instead, photographers found success by embracing Monterey’s iconic underwater scenery. Shallow-water kelp forests, sea lions, using divers as models and familiar marine life proved that compelling images don’t require rare subjects; thoughtful composition, timing, and creativity made all the difference.
One technique that stood out was the successful use of motion blur and slow shutter speeds. The strongest images balanced motion with recognizable subjects, creating photographs that felt both artistic and intentional without becoming overly abstract. Images that included a defined background and multiple layers also performed well, adding depth and visual interest that made the photo more engaging.
The judges also noted that while many entries featured technically challenging or rare subjects, technical difficulty alone wasn’t enough. Images that created an emotional connection and left a lasting impression consistently rose to the top under the “Would I put this on my wall?” philosophy.
From a technical standpoint, the judges saw many beautifully composed and well-lit photographs that narrowly missed placing because critical focus fell just short of the eyes or another key feature. They also observed that several images entered in the Traditional categories may have performed better in Unrestricted, where additional cleanup of backscatter, hotspots, or other distractions could have elevated an already strong photograph.
Overall, the judges were extremely impressed by the quality, creativity, and diversity of this year’s submissions and are excited to see how photographers continue to raise the bar at the 2027 Monterey Shootout.
COMMENTS FROM THE VIDEO JUDGES
This year, video judges Jim Decker, Rusty Sanoian, Matt Ferraro, and Cristian Dimitrius were blown away by both the quality and quantity of submissions, making the final decisions some of the toughest yet.
One of the biggest improvements from previous years was the editing. Rather than simply filling the maximum allotted time, many filmmakers focused on tighter, more intentional cuts that made their videos far more engaging and impactful.
Technical execution was also strong across the board. Color and overall stability were excellent in most entries. However, the judges emphasized that a tripod remains essential for macro video, where even the slightest camera movement is magnified and can quickly become distracting.
In the Video Montage category, many entries featured stunning underwater footage but lacked a compelling narrative, while others told a great story but relied on weaker imagery. The judges agreed that combining exceptional underwater cinematography with a strong, cohesive story is the formula for placing next year.
Another area for improvement is camera movement. Rather than relying on quick pans or chasing fast-moving subjects, the judges encouraged filmmakers to let the action unfold naturally. Smooth, deliberate camera movement is absolutely key when it comes to quality underwater video footage.
Overall, the judging panel was incredibly impressed by the caliber of this year’s submissions and is excited to see how competitors continue to raise the bar in 2027.
BEST IN SHOW
Every year, the Monterey Shootout dedicates a single image or video that not only captures the best of the competition but also embodies the spirit of Monterey diving and honors those who have inspired us. This year’s Best in Show image is dedicated to the memory of Jamie Tabscott, Steve Clatterbuck, and James Vincent—central figures from Aquarius Scuba and Any Water Sports—whose sudden passing last year deeply touched the entire Monterey dive community.

Best in Show – Jon Anderson
Prize for BEST IN SHOW

$1000 Nauticam Gift Certificate
WINNERS – ADVANCED WIDE ANGLE TRADITIONAL
WINNERS – ADVANCED WIDE ANGLE UNRESTRICTED
WINNERS – ADVANCED MACRO TRADITIONAL
WINNERS – ADVANCED MACRO UNRESTRICTED
WINNERS – INTERMEDIATE WIDE ANGLE TRADITIONAL
WINNERS – INTERMEDIATE WIDE ANGLE UNRESTRICTED
WINNERS – INTERMEDIATE MACRO TRADITIONAL
WINNERS – INTERMEDIATE MACRO UNRESTRICTED
WINNERS – BEGINNER WIDE ANGLE TRADITIONAL
WINNERS – BEGINNER WIDE ANGLE UNRESTRICTED
WINNERS – BEGINNER MACRO TRADITIONAL
WINNERS – BEGINNER MACRO UNRESTRICTED
JOIN US AT THE 2027 MONTEREY SHOOTOUT!
Please enjoy the underwater views from behind the lenses of this year’s participants in the other submitted videos and all-submitted images slideshow. A very special THANK YOU to all of our prize sponsors for your generosity and support of The Digital Shootout – we couldn’t do it without you!




















































































































































